Gaṇa 1 · bhvadi · 1.0899
√ṣṭage
saṃvaraṇe
zwage · saMvaraRe
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Vidyut dhatupatha.tsv
Words from this dhātu
61 dictionary-linked words using source citations and guṇa/vṛddhi stem signals.
Exploring Root: √ṣṭage
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abhinayaḥ
1 Acting, gesticulation, any theatrical action (expressive of some sentiment, passion &c. by look, gesture, posture &c.); nṛtyābhi- nayakriyācyutaṃ Ku. 5. 79; abhinayān paricetumivodyatā R. 9. 33; nartakīrabhi- nayātilaṃghinīḥ 19. 14; Ki. 10. 42.
2 Dramatic representation, exhibi- tion on the stage; lalitābhinayaṃ tamadya bhartā marutāṃ draṣṭumanāḥ salokapālaḥ V. 2. 18. S. D. thus defines and classifies a-...
abhineya
pot. p. To be acted or dramatically represented &c.; dṛśyaṃ tatrābhineyaṃ tadrūpāropāttu rūpakaṃ S. D. 273; M. 1; tasya (prabaṃdhasya) eka- deśaḥ abhineyārthaḥ kṛtaḥ U. 4 a part of it has been adapted to the stage.
abhinī
1 P. 1 To bring near, conduct or lead towards, carry to; taṭābhinītenāṃbhasā Ki. 8. 32; amātyasya gṛhajanaṃ svagṛhamabhinīya rakṣasi Mu. 1, 5; 6. 15; dṛṣṭvā śaraṃ jyāmabhinīyamānaṃ Mb. being fitted to the bow.
2 To act, represent or exhibit dramatically, gesticulate; mostly occurring in stage- directions; śrutimabhinīya Ś. 3 acting as if he heard something; Mu. 1. 2, 3. 31, M. 2. 6.
3 To quote, adduce,...
ākṣiptikā
A particular air or song sung by a character while approach- ing the stage; V. 4.
ākūtaṃ
[ā-kū-bhāve-kta] 1 Mean- ing, intention, purpose; itīritākūta- manīlavājinaṃ Ki. 14. 26.
2 A feel- ing, state of heart, emotion; cūḍā- maṃḍalabaṃdhanaṃ taralayatyākūtajo vepathuḥ U. 5. 36; bhāvākūtaṃ Amaru. 4; Sān. K. 31; Māl. 9. 11; snehākūta U. 6. 35; sākūtaṃ feelingly, meaningly (oft. occurring in plays as a stage-direction).
3 Wonder or curiosity; sarvaṃ ºkaraṃ U. 4.
4 Wish, desire.
ānartaḥ
[ānṛtyatyatra ādhāre ghañ] 1 A stage, theatre, a dancing hall.
2 War, battle.
3 N. of a king of the solar race.
4 N. of a country or its inhabitants, or its king. (It was also called Saurāṣṭra and may be identified with the modern Kat- tywar. Dvārakā was its capital, which is called Ānartanagarī. There [Page0241-c+ 56] was also an important town called Valabhī, which afterwards became its capital. The...
ānṛt
P. (aor. 3. pl. /ā-nṛtus RV. v, 52, 12; p. -n/ṛtyat AV. iv, 37, 7) to dance towards, hasten near, jump near: Caus. (impf. 3. pl. -nartayan) to agitate gently R2itus.; Ragh. 017803 141,2 24651 m. dancing-room, dancing academy T. Page141,3 24652 m. a stage, theatre L. 141,3 24653 m. war L. 141,3 24654
ārabhaṭaḥ
[ārabh-aṭi] An enter- prising or courageous man. ṭaḥ, ṭī Boldness, confidence. ṭī 1 A branch of the dramatic art, machin- ery of the drama, representation of supernatural, horrible events on the stage; māyeṃdrajālaṃsagrāmakrodhodbhrāṃtādiceṣṭitaiḥ saṃyuktā vadhabaṃdhādyairuddhatārabhaṭī matā.. (said to be of four kinds, see S. D. 420 et. seq.).
2 A kind of literary style (vṛtti).
3 A particular style of...
ārohaṇaṃ
1 The act of rising, ascend- ing, mounting; ārohaṇārthaṃ navayauva- nena kāmasya sopānamiva prayuktaṃ Ku. 1. 39.
2 Riding (on a horse &c).
3 A stair-case, ladder.
4 The ris- ing or growing of new shoots, grow- ing (of plants).
5 A raised stage for dancing.
6 A carriage (Ved.).
asamaya
m. non-obligation, absence of contract or agreement A1p. 119,1 20693 m. unseasonableness 119,1 20694 m. unfit or unfavourable time Katha1s.; Ven2is. 015057 119,1 20695 mfn. (said of a S3ra1vaka śrāvaka at a partic. stage of development), Buddh. 1318,2 20695.1
āśrama
mn. (śram), a hermitage, the abode of ascetics, the cell of a hermit or of retired saints or sages Mn.; R.; Das3.; Ragh.; Megh. &c 158,2 27617 mn. a stage in the life of a Bra1hman Brahman (of which there are four corresponding to four different periods or conditions, viz. 1st, Brahmaca1rin brahmacārin, student of the Veda veda; 2nd, Gr2iha-stha gṛha-stha, householder; 3rd, Va1naprastha vānaprastha,... mn. a hut...
āśramaḥ
[ā-śram ādhāre ghañ vṛddhya bhāvaḥ] 1 A hermitage, hut, cell, dwelling or abode of ascetics.
2 A stage, order, or period of the (reli gious) life of a Brāhmaṇa. (These are four: brahmacarya the life of a student; gārhasthya the life of a house holder: vānaprasya the life of an anchorite or hermit, and saṃnyāsa the life of a [Page0265-b+ 58] Bhikṣu or beggar. Kṣatriyas (and Vaiśyas also) can enter upon the first...
atiga
or ati-gam, to pass by or over Page13,3; to surpass, overcome; to escape; neglect; to pass away, die. 13,2 001984 2944.1 mfn. (ifc.) exceeding, overcoming, surpassing (cf. śokātiga) 13,3 2945 mfn. transgressing, violating. 001985 13,3 2946 mfn. having passed 13,3 2947
atikrāṃta
pp. 1 Exceeded, sur- passed, gone beyond &c.; sotikrāṃtaḥ śravaṇaviṣayaṃ Me. 103; sudūramatikrāṃtaḥ K. 35 departed, gone; manoratha ºdarśanā Māl. 10 beyond the reach even of de- sire; vicārātikrāṃtaḥ Mu. 5. 4 past the stage of thought; cakṣurviṣayāti- krāṃteṣu pakṣiṣu H. 1.
2 Past, gone by; ºkunṛpati K. 5, past, former; 169- Pt. 1. 333, Pt. 2, Bh. 3. 32; ºpārthiva- guṇān Mu. 1 former kings. taṃ A past thing, a...
āṭopaḥ
[ā-tup-ghaṃñ pṛṣoº ṭatvaṃ Tv.] 1 Pride, self-conceit, arrogance; sāṭopaṃ proudly, in a stately or majes- tic manner, frequently used as a stage direction.
2 Swelling, spread- ing, expanding, puffing; Prov. phaṭā- ṭopo bhayaṃkara; said also of clouds; adyāpi sāṭopā meghā dṛśyaṃte Pt. 1; Śi. 3. 74.
3 Flatulence (in the belly).
avamuc
6 P. 1 To let loose, loosen (as a horse).
2 To take off (a garment &c.); mekhalāṃ, kirīṭaṃ, vāsāṃsi, bhūṣa- ṇāni &c.
3 To unharness.
bhāṇaḥ
A species of dramatic com- position; in it only one character is introduced on the stage which supplies the place of interlocutors by a copious use of ākāśabhāṣita q. v.; bhāṇaḥ syāddhūrtacarito nānāvasthāṃtarātmakaḥ. ekāṃka eka evātra nipuṇaḥ paṃḍito viṭaḥ.. S. [Page0812-c+ 56] D. 513; see the next stanzas also; e. g. vasaṃtatilaka, mukudānaṃda, līlāmadhukara &c.
bhikṣuḥ
[bhikṣ-un] 1 A beggar, mendicant in general; bhikṣāṃ ca bhi- kṣave dadyāt Ms. 3. 94.
2 A religious mendicant, a Brāhmaṇa in the fourth order of his religious life (when he quits his house and fami- ly and lives only on alms), a Saṃ- nyāsin.
3 The fourth order or stage in the religious life of a Brāhmaṇa (saṃnyāsa).
4 A Buddhist mendicant. Comp. caryā beg- ging, a mendicant's life. saṃghaḥ a society of...
caturtha
a. (rthī f.) [caturṇāṃ pūraṇaḥ ḍaṭ yuk ca] The fourth. rthaḥ The fourth letter of any class. rthaṃ A quarter, a fourth part. Comp. aṃśa a. re- ceiving a fourth part. ( śaḥ) a quarter or fourth part. āśramaḥ the fourth stage of a Brāhmaṇa's reli- gious life, Saṃnyāsa. phalaṃ the second inequality or equation of a planet. bhakta a. eating the fourth meal. bhāj a. receiving a fourth part of every...
cūlikā
[cul samuccaṃye ṇvul pṛṣoº dīrghaḥ] 1 The crest or comb of a cock.
2 The root of an elephant's ear.
3 (In dramas) The hinting or indica- tion of the occurrence of any event by characters behind the stage; aṃta- rjavanikāsaṃsthaiḥ sūcanārthasya cūlikā S. D. 310; e. g. in the beginning of the 4th act of Mv.
ḍiṃbaḥ
1 Affray, riot.
2 sound or noise occasioned by terror.
3 A young child or animal.
4 An [Page0523-c+ 42] egg.
5 A globe or ball.
6 Glo- bular or round blossom; Māl. 9. 26.
7 A chrysalis.
8 The embryo in the first stage of its existence.
9 The spleen.
10 The uterus. Comp. āhavaḥ, yuddhaṃ petty warfare, an affray without weapons, skirmish, sham-fight; Ms. 5. 95.
gaṃḍikā
1 A sort of pebble.
2 A kind of beverage.
3 Anything advanced beyond the first stage.
gārhasthyaṃ
[gṛhasthasya bhāvaḥ karma vā ṣyañ] 1 The order or stage of life of a householder (gṛhastha).
2 Do- mestic affairs, household.
3 The five Yajñas to be daily performed by a householder.
kalana
a. (at the end of comp.) Caus ing, effecting. naḥ A sort of cane- [Page0386-a+ 55] naṃ 1 A spot, mark.
2 A defect, an offence, fault.
3 Taking, seizing, grasping; kalanātsarvabhūtānāṃ sa kālaḥ pa- rikīrtitaḥ.
4 Knowing, understand- ing, apprehension.
5 Sounding.
6 An embryo at the first stage after con- ception. nā 1 Taking, seizing. grasping; kālakalanā A. L. 29.
2 Do- ing, effecting.
3...
maṃcaḥ
[maṃc-ghañ] 1 A couch, bed- stead, sofa, bed.
2 A raised seat, dais, a platform resting on columns, a seat of honour or state, throne; sa tatra maṃceṣu manojñaveṣān R. 6. 1, 3. 10.
3 An elevated shed in a field (for a watchman).
4 A pulpit.
5 A stage, platform. Comp. maṃḍapaḥ 1. a temporary shed resting upon bam- boo posts.
2. a platform erected on festive occasions (as marriages &c.).
mañc
(= mac; prob. artificial) cl.1 A1. mañcate, to cheat &c Dha1tup. vi, 12 v.l.; to hold; to grow high; to adore; to shine, vi, 13; to go, move, vii, 15 v.l. 098301 773,3 154395 m. a stage or platform on a palace or on columns, raised seat, dais, throne MBh.; Ka1v. &c 773,3 154396 m. a bedstead, couch Ragh. Sch.; DivyA7v. 773,3 154397 m. a pedestal Baudh. 773,3 154398
nepathya
n. (and m. L.) an ornament, decoration, costume (esp. of an actor), attire (ifc. f (A).) MBh.; Ka1v. &c (thyaṃ-kṛ, or grah or rac or vi-dhā, to make the toilet) Page569,2 112189 n. (in dram.) the place behind the stage (separated by the curtain from the raṅga), the postscenium, the tiring-room 569,2 112190 ind. behind the scenes (See esp. MW. S3ak. p.3, n. 2) 072091 569,2 112191 n. a toilet room Ma1lav. 072092 569,2...
nirūp
10 U. 1 To see, perceive, mark or observe carefully; na ca mahā- vane paṃthā nirūpitaḥ K. 120.
2 To investigate, examine, look out for, search.
3 To fix upon, determine, settle, resolve.
4 To choose, select, appoint.
5 To reflect, consider.
6 To act, represent dramatically, gesti- culate.
7 To perform.
nirvahaṇaṃ
1 End, completion; Śi. 14. 63.
2 Maintainig, carrying to the end, sustaining; mānasya nirvahaṇaṃ Ama- ru. 24.
3 Destruction, annihilation.
4 (In dramas). The catastrophe, the last stage in which the action of the play is brought to a head, the denouement; tatkiṃnimittaṃ kukavikṛtanāṭakasyeva anya- nmukhe'nyannirvahaṇe Mu. 6.
niṣkram
1 U. 1 To go away or from, leave, depart.
2 To issue from, come out of; Bk. 7. 71.
3 To make an exit from the stage; iti niṣkrāṃtāḥ sarve.
4 To stop, cease; naitāvatāpi pīḍā niṣkāmati Ś. 2 ‘the evil does not stop here.’
nṛt
4 P. (nṛtyati, praṇṛtyati, nṛtta) 1 To dance, move about; nṛtyati yuva- tijanena samaṃ sakhi Gīt. 1; lolormau payasi mahotpalaṃ nanarta Śi. 8. 23; Bk. 3. 43.
2 To act on the stage.
3 To gesticulate, play. Caus. (nartayati-te) 1 To cause to dance; tvamāśe moghāśe kimaparamato nartayasi māṃ Bh. 3. 6; tālaiḥ śiṃjāvalayasubhagairnartitaḥ kāṃtayā me Me. 79, U. 3. 19.
2 To cause to move. WITH ā (caus.) 1. to...
nṛttaṃ
Dancing, acting, a dance, pantomime, gesticulation, nṛttādasyāḥ sthitamatitarāṃ kāṃtaṃ M. 2. 7; [Page0648-a+ 55] nṛtyaṃ mayūrā vijahuḥ R. 14. 69; Me. 32, 36; R. 3. 19. Comp. priyaḥ 1. an epithet of Śiva.
2. a peacock. śālā a dancing hall. sthānaṃ a stage, dancing room.
praśākha
a. 1 Having many or spreading branches.
2 Being in the [Page0763-a+ 55] 5th stage of formation (said of the embryo, when the hands and feet are formed). khā A small branch or twig.
pravartaka
a. (rtikā f.) 1 Setting on foot, founding.
2 Advancing, pro- moting, furthering.
3 Producing, causing.
4 Prompting, urging, in- ducing, instigating (in a bad sense). kaḥ 1 An originator, founder, author.
2 A prompter, instigator.
3 An arbiter, umpire. kaṃ The entrance of a character on the stage.
praveśaḥ
1 Entrance, penetration; purapraveśābhimukho babhūva R. 7. 1; Ku. 3. 60.
2 Ingress, access, approach.
3 Entrance on the stage; tena pātrapra- veśaścet S. D. 6.
4 The entrance or door (of a house &c.).
5 Income, revenue.
6 Close application (to a pursuit), intentness of purpose.
7 The entrance of the sun into a sign of the zodiac.
8 Coming on, set- ting in (of night).
9 The syringe of a clyster-pipe....
praveśakaḥ
‘The introducer,’ an in- terlude acted by inferior characters (such as servants, buffoon &c.) for the purpose of acquainting the audience with events not represent- ed on the stage, but a knowledge of which is essential for the proper understanding of what follows; (like the Viṣkambhaka it con- nects the story of the drama and the subdivisions of the plot, by briefly referring to what has oc- curred in the intervals...
prāveśika
a. (kī f.) 1 Relating to or connected with entrance (into a house or upon the stage).
2 In the habit of entering.
raṃgaḥ
[raṃj-bhāve ghañ] 1 Colour, hue, dye, paint.
2 A stage, theatre, play house, an arena, any place of public amusement, as in raṃgavighnopa- śāṃtaye S. D. 281.
3 A place of as- sembly.
4 The members of an as- sembly, the audience; aho rāgabaddha- cittavṛttirālikhita iva sarvato raṃgaḥ Ś. 1; raṃgasya darśayitvā nivartate nartakī yathā nṛ- tyāt. puruṣasya tathātmānaṃ prakāśya vini- vartate prakṛtiḥ.. Sarva. S.
5...
raṃgin
a. 1 Colouring, dyeing.
2 Attached or devoted to, fond of.
3 Passionate, impassioned.
4 Act- ing on a stage.
rūp
10 U. (rūpayati te, rūpita) 1 To form, fashion.
2 To represent on the stage, act, gesticulate; rathave- gaṃ nirūpya Ś. 1.
3 To mark, observe carefully, behold, look at.
4 To find out, seek.
5 To consider, pon- der over.
6 To settle, fix upon.
7 To examine, investigate.
8 To feign.
9 To appoint.
samādhiḥ
1 Collecting, composing, concentrating (as mind).
2 Pro- found or abstract meditation, con- centration of mind on one object, perfect absorption of thought into the one object of meditation, i. e. the Supreme Spirit, (the 8th and last stage of Yoga); ātmeśvarāṇāṃ na hi jātu vighnāḥ samādhibhedaprabhavo bhavaṃti Ku. 3. 40, 50; Mk. 1. 1.; Bh. 3. 54; R. 8. 79; Śi. 4. 55.
3 Intentness, concentration (in general),...
samākarṇ
P. -karṇayati, to give ear to, listen to, hear Pan5cat.; Katha1s. 146968 1158,2 234009 n. any gesture which expresses the act of listening (ena = with an attitude of listening; as a stage direction) Ba1lar. Page1158,3 146969 234010
saṃklinna
mfn. (klid) thoroughly wet or moistened Gr2ihya1s.; Mr2icch. 143463 1127,2 228312 mfn. excessive wetness or moisture, saturation with (comp.) R.; Hariv. &c 1127,2 228313 mfn. moisture (supposed to be the first stage of putrefaction) Car. 1127,2 228314 mfn. a fluid secretion (supposed to form upon conception and become the rudiment of the fetus) Ya1jn5. 143464 1127,2 228315
sāṃnyāsika
mfn. (fr. sam-nyāsa) forming the original or correct text Pat. on iii, 2, 107, Va1rtt. 2 1204,1 242069 m. a Bra1hman Brahman in the fourth stage of his life, religious mendicant L. 152032 1204,1 242070
śauryaṃ
[śūrasya bhāvaḥ ṣyañ] 1 Pro- wess, heroism, valour; śaurye vairiṇi vajramāśu nipatatvartho'stu naḥ kevalaṃ Bh. 2. 39; naye ca śaurye ca vasaṃti saṃpadaḥ Subhāsh.
2 Strength, power, might.
3 Representation of war and su- pernatural events on the stage; cf. ārabhaṭī.
sthāpaka
a. [sthāpayati sthā-ṇic-ṇvul] Causing to stand, fixing, founding, establishing, regulating. kaḥ 1 The director of the stage-business, a stage-manager.
2 The founder of a temple, or erector of an image.
sthāpanā
1 Placing, fixing, found- ing, establishing.
2 Arranging, regulating (as a drama), stage- management.
ulluṃṭhanaṃ
Irony; dhīrādhīrātu solluṃṭhabhāṣaṇaiḥ khedayedamuṃ S. D. 105; solluṃṭhaṃ ironically, often occurring as a stage-direction in plays.
vaikhānasa
a. (sī f.) Relating to a hermit, ascetic, monastic; vaikhā- nasaṃ kimanayā vratamā pradānād vyāpāraro- dhi madanasya niṣevitavyaṃ Ś. 1. 27. saḥ An anchorite, a hermit (vānaprastha); a Brāhmaṇa in the third order of his religious life; R. 14. 28; Bk. 3. 46.
vānaprasthaḥ
[vāne vanasamūhe pratiṣṭhate sthā- ka] 1 A Brāhmaṇa in the third stage of his religious life.
2 An anchorite, a hermit.
3 The Madhuka tree.
4 The Palāśa tree.
vanin
a. Ved. 1 Worshipping.
2 Desiring.
3 Giving, bestowing.
4 A bounding in water.
5 Living in a forest, m. 1 A tree.
2 The Soma plant.
3 A Brāhmaṇa in the third stage of his life, a Vānaprastha, q. v.
vyutthā
1 A. 1 To get up, rise.
2 To increase in strength or power, grow strong. Caus. To excite, in- stigate, rouse.
yauvana
a. (nī f.) [yno bhāvaḥ aṇ] Young, juvenile. naṃ 1 Youth (fig. also), youthfulness, prime or bloom of youth, puberty; mugdhatvasya ca yau [Page0899-a+ 10] vanasya ca sakhe madhye madhuśrīḥ sthitā V. 2. 7; yauvane'bhyastavidyānāṃ R. 1. 8; 6. 50; dinayauvanotthān 13. 20.
2 Any youthful or juvenile act.
3 A number of young persons, especially women Comp. aṃta a. ending in youth, being a prolonged youth; Ku. 6....
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